January 13, 2012
ZOLA’S #8 “Living and Dying 2012” is out now. Had a lot of fun assembling this one more in the former OSPREYS collage-style than in the recent “full pages from the hip” mode that characterizes especially the first five ZOLA’S. General idea in my room during production was “When you’re working like crazy on a big project, sometimes it’s fun to take a minute off to overdo the little one.”
Issue 8 brings us to 104 pages of business so far, and we are not counting the covers and endpapers of each issue as business.
$30 gets the whole deal so far plus what’s coming; $3 gets an envelope with this issue to sniff. Paypals and whatever are here. THANX TO MY SUBSCRIBERS, you dudes will be seeing this one shortly ~~

ZOLA’S #8 “Living and Dying 2012” is out now. Had a lot of fun assembling this one more in the former OSPREYS collage-style than in the recent “full pages from the hip” mode that characterizes especially the first five ZOLA’S. General idea in my room during production was “When you’re working like crazy on a big project, sometimes it’s fun to take a minute off to overdo the little one.”

Issue 8 brings us to 104 pages of business so far, and we are not counting the covers and endpapers of each issue as business.

$30 gets the whole deal so far plus what’s coming; $3 gets an envelope with this issue to sniff. Paypals and whatever are here. THANX TO MY SUBSCRIBERS, you dudes will be seeing this one shortly ~~

December 6, 2011
progress report (seeya in february)

progress report (seeya in february)

November 17, 2011
ZOLA’s #6 “I will put you into a portal” 20 pages, $5 postpaid USA or $30 for all 12 issues in this series
http://tombubul.info/index.php?/print/zolas/
of all of the drawing collages I’ve made over the last seven years or whatever this might be my favorite?!

ZOLA’s #6 “I will put you into a portal” 20 pages, $5 postpaid USA or $30 for all 12 issues in this series

http://tombubul.info/index.php?/print/zolas/

of all of the drawing collages I’ve made over the last seven years or whatever this might be my favorite?!

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Filed under: zola's projects 
October 13, 2011
Modular restaurant / Current etc.

Tom Bubul to bcc:  show details 4:54 PM (33 minutes ago)

Hi everyone,

You’re receiving this rare bigboy bcc because you are on my personal radar or were once on my restaurant list. If you would like to ensure that you do not receive such again, just email me. As with messages to my old list, feel free to pass this on too.

I’ve always thought that use of the restaurant list would be egregious if it weren’t somehow food-related, and it so happens that I have a new food project I’m calling “modular restaurant.” The project is that I will come to your house and cook you and up to nine persons a meal. This can be any meal of the day. It can happen at any time, and on any day of the week, but it must be booked at least two days in advance via the normal means, which is calling, texting, or emailing me, 570 574 2436. You can also request that you dine at my house. The rate at the modular restaurant will vary by location, complexity of service, and number of persons served. You can get in touch for a quote, if you want.

http://dogchirp.com/index.php?/work/modular-restaurant/

Other things that I am doing right now =

1) I have a window installation up in Olneyville at The Dirt Palace; info on that here =
http://dogchirp.com/index.php?/work/i-will-put-you-into-a-portal/

2) My monthly drawing book ZOLA’S just dropped issue five. $30 for twelve issues + a dose of additional south side ??? ??? ??? in your mail =
http://dogchirp.com/index.php?/print/zolas/

3) I am co-editing the Mothers News Literary Quarterly with Kate Schapira(.blogspot.com); watch for this in the November issue =
http://www.mothersnews.net

4) I am also now an “advertising executive” for same, and so I ask: do you have a band, a book, a room, a routine, an event, or anything that you want to make SUPER REAL by archiving it in the world and putting it on 2000 people’s radars across the country? If yes, or if you want your business to take-off like crazy because it’s WITH THE MOTHER, ads are mega cheap and we design them for free. It is so easy to be a contributing part of the best project in Providence; why pause? Why hesitate? =
http://www.mothersnews.net/advertise.html

Okay that’s it, hope this finds you well -

Thursday wishes,

T


dogchirp.com(570) 574 2436

September 22, 2011
Elegy for troubled dream-warriors / Override meditation

Often when I am doing the dishes or sweeping the floor I think, “I am a warrior.” Why does this line resonate to me? Is it because saying “I am an artist” does not connote resistance, fortification, or strength? What do I believe I am at war with? Other than days and the kitchen floor.

In check-out lines at Price Rite. The clerk dressed in blue’s wail of sadness is the word “Override.” This stops the line until a manager in red arrives to press buttons on the clerk’s screen. This sometimes happens wordlessly and without eye contact. I have been waiting for ten minutes already, but I am a warrior, I will continue to wait.

While trying to parse this idea that I am a warrior the Monopoly Child record “Gitchii Manitou (12 step re-trance program for troubled dream-warriors)” came on. Naturally I thought, am I troubled? (In some ways, yes.) Do I need to be re-tranced? (I am often loathe to accept that sometimes someone else needs to come touch my screen, sometimes wordlessly or without eye contact. I sometimes say Override in an obtuse, inaudible manner. I sometimes don’t know that I was saying Override until much later.)

Last night I was provided the opportunity to play a lengthy piece of music to partially score a lengthy drawing performance, so I came up with this routine for air organ. I played it dressed in blue, fell asleep on the floor, then around 3am I walked home:

Each number corresponded to a pre-determined chord (pick your own chords it doesn’t matter). Each step (i.e. each line) was three minutes long, with short pauses between steps, during which, incidentally, I drank wine. Each chord in each step was played for three minutes divided by the step number, so step one was chord one for three minutes, step forty-eight was four progressions through all twelve chords, each chord played for a little less than four seconds. It’s not worth detailing why the progressions in each step are what they are, mainly because this routine as-is is an idea-demo, not a final thing in itself; as far as it goes, immediate thoughts were that this would produce more interesting results if it were four times longer (192 steps), four times faster (45 second steps rather than 180), and with some phasing sub-system for adding articulation.

I thought a lot this morning about why I feel compelled to perform music and it’s in part because it’s a useful way to re-trance. I am a warrior and it’s a gray day in Providence, sweaty in the house. Who’s my manager in red now? It’s important to know what you’re asking for, and who you’re asking. It’s important to keep the lines moving.

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Filed under: override projects at home 
September 9, 2011
Fourth issue of ZOLA’S monthly drawing pamphlet series, September 2011, “Shame” $3 ppd$30 for all 12 in this series + ??? “as advertised in mother’s news”

Fourth issue of ZOLA’S monthly drawing pamphlet series, September 2011, “Shame”
$3 ppd
$30 for all 12 in this series + ???
“as advertised in mother’s news”

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Filed under: zola's projects 
September 9, 2011
Sitebag.biz

Here’s this project Allen and Jeff developed at camp. The idea is that if you’re a person who just checks three websites, you don’t need a huge google reader or whatever, you just need to put those sites into a bag. If you’re a person who needs to remember to download a few music posts, you don’t need to bookmark those sites for all eternity, you just need to put them into one bag, and then get rid of them when you’re done. Change how you use the Internet from an infinite forgotten bookmark/1000+ unread google reader items approach to a bag approach!

I am very happy to have been involved in development conversations, bug testing, and bag-drawing for this!

From: Jeff Sisson <jeffsisson@gmail.com>
Subject: sitebag.biz is live
Date: September 9, 2011 12:15:20 AM EDT 
To: Jeff Sisson <jeffsisson@gmail.com>
Bcc: Tom Bubul <tom.bubul@gmail.com> 

Hello World Friends,

This is what I built with Allen Riley this summer:

http://www.sitebag.biz/

It’s a bag for your sites.  You can make as many bags as you want.  Extensions for Safari and Chrome available.

I used it tonight at the end of a class and people were like what the hell are you doing and i said oh i’m putting links from the lecture in my site bag” -user

I’m very excited about this thing.  Let me know if you use it // show it to someone who needs a bag.

yours,

JEFF

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Filed under: sitebag.biz projects camp 
July 28, 2011
Moneybags birthday diary 7/28/2011

KM on the echo mic

Well the first session of camp is over and the second session started yesterday. The staff joke right now at camp is “bring on the sessions; we need more sessions.”

Steady as she goes —-

Had a lovely day off on Monday, enjoyed several beers, an incredible staff dinner care of the chef: spring mix/haddock with lobster/rare steak cuts w. hollandaise/tomato+basil+mozz salad/mushroom+pepper kebabs with basil aioli, braised green beans, little potatoes. Super fun to see a dude who loves to cook cooking for a small crowd with a big budget, after seeing him do his thing thrice daily for 150. Also made like eleven drawings and did a second day of work on a painting I yolked myself to at the beginning of camp. Hoping to finish that before I leave here but outlook isn’t good re: more pressing commitments. As my schedule continues to boil, it continues to thicken.

Freedom-feelings pour out when I sit down, feels great to be in a mode where I can draw and draw.

Bryan Daly’s project “535 Wall of Sound” re-recorded VU+Nico per my mention last week (but not HEROIN for some reason? ahahaha); check it out. The premise was “the kids doing this project have never heard this record, and someday they will, and their minds will melt; those who know the record shall attempt to play it from memory without practicing.” Some super good hip shooting here: about half of the songs are totally good, straight covers (the eleven year old drummer is in a bay area power pop band) and the other half are barking karaoke/camp classique/”freakout time” interpretive style. Could potentially be the most widely interesting thing I’ll ever post to the internet.

Meanwhile at camp I did this modest mural project with sixteen kids; there ended up not really being a plan other than “jam the box for as long as we’ve got time” and considering the three and a half hours or so and the mixed bag of kids who dropped in on this, I feel pretty good about it. Was surprised at how much punishment craft paper can take! =

The third issue of the least-distributed new drawing project in the USA, “ZOLA’S,” a monthly A5 magazine of new drawings + supporting whatever, is on schedule to drop on Monday. This new issue is called “WHEN IN THE THICK OF VERY VOLUPTUOUS DELIGHTS.” Single issues remain $3 ppd; all twelve issues remain $30 ppd, shipping all prior issues immediately, and each new one at the point of issue. This project is currently only available through my personal web portal and limitedly through Rhododendron Festival’s obscure New England ephemera distribution platform, Chipsylvania.com. Naturally trades are welcome too.

Here’re these pictures =

Dining hall clay man

“THE DOGS” bunk sign

Projecting the tsarcasm docu at the dance

“Headspace” cabin sign

Allen and I at camp

July 17, 2011
Gold teeth diary 7/16

I was doing the “Bruce” routine (British accent rich person in Gotham City looking for Bruce Wayne at a benefit party; used to do this routine mainly with KW in the Lockwood kitchen before noon) with this kid I love at breakfast for like 25 minutes just now, he was saying how he was in England this year “because his drama teacher is Shakespearian” and he really liked how the palace guards didn’t move when he poked them, but how “they would probably move if you pissed on one.”

1) LITMUS TEST / TWO BECOME ONE

This being the fifth year of doing this job I’m not able to remember all of the funny things that have happened anymore. Jeff reminded me yesterday about how this same kid used to “do ‘Iron Man’.”

Two years in a row at the talent show (aged 9 and 10, he’s 11 now) he wore this little freddy kreuger outfit and did slowwww air guitar and head-banging to black sabbath iron man. He did it totally straight the first year and everyone was like, What?! and with a huge grin on his face the second year, scanning the crowd with eyes narrowed, while a few people cracked up laughing and everyone else who was there the year before was like “AGGHH AGAIN?!”. Something in here about how a good chunk of the crowd isn’t gonna be psyched to hear that there’s “another SHV/Tsarlag show at Mars Gas.” (Some girls came down to the project with heavy makeup on and shirts in knots and said, “Tom, look, we’re punk rockers today!” and I said, “No you aren’t!”; and of course the ingredients for this basic exchange to happen exist every day, everywhere.)

I’m off today but when I saw this little dude going into the dining hall I was like “nah I got this one, Rebecca you can go back to the project.” I started doing the Bruce routine while explaining to him how you butter toast (he made me get a different knife from the one I used to slice my banana up; I used both knives to butter my english muffin sorta to prove a point) and after breakfast we emptied out his backpack.

Contents = Two composition tablets for drawing/writing, two mangas (Naruto vol.1 and a chibi thing) in case he loses one, two sticks (one that “looks like a magnum” and one that he had no idea what it was doing in there), a flip video with a busted lens, some twisted pipe cleaners that he’s using to “make a cat toy,” some crystals, some rough-cut wood cubes, about six fully drawn-out 11x17 comic/video game fan art pages, a Sonic the Hedgehog Universe comic, dry leaves, crumbled packaging from British crackers he liked (i.e. he liked the packaging), a full water bottle that was not his, a stuffed dog, a stuffed sock creature, pencils, sharpies, three wooden blocks on an axel he made at the shop (“it’s a guy with no legs”), and a round glass container with little puffy balls in it, that he said had no purpose.

2) WHAT I AM DOING

Swimming a lot, working on real life, working on camp. Listened to MARBLE SURF on a deck as the sun was setting. Listened to Angels in America while reading my RISCA fellowship rejection letter; alas, no dog for Lockwood Street this season. Watched the Grateful Undead while printing the second ZOLA’S last week. Went on some nice hikes, some nice walks.

Been doing all the same stuff as last week = Reading, drawing, working on this and that. Confirmed a painting show at Space 1026 in Philadelphia with Mike Hall for February, so now there’s that. Prototyping forms for the DP window project. Working on ideas for a 4”x4” thing that’s gonna get scaled to 1”x1” for the cover of top-three-providence-poets Kate Schapira’s upcoming book; was super psyched to be asked to put a thumbprint on that.

At camp I like doing “craft projects” (historically this has meant mending/embroidering my clothes, but now that I have like six of these pocket tees and three pairs each of these pants and shorts I’m good) and so yesterday I made the chess set above. Similarly, I’m terrible at having a cool bedroom in real life so I thought it would be funny to mess with that here. I guess this just means “I’ve been decorating.” I’ll post a picture of that when camp is over probably, it’s still nothing to look at; right now “decorating” means there’s a lot of paper and junk I found on the floor in there, and that I swept and put my laundry away this morning.

3) COOL SHIT ALLEN IS DOING AT CAMP

PUNCHING IN = Sixteen kids = One tape recorder = Single track cassette = Trillions of rhythmic overdubs, cut-outs, tape-sounds. For fans of the horrendous DENNIS DUCK DOES DISCO tape, or like, a non-cloying outtake reel from THE BOOKS: 50 minutes of mirror-mystery-babble from a ton of different voices taking turns in a room. Drifts between a way-zoomed-in Folkways recording of kids being silly in short bursts, burping voice/electronics/tape-noise, silence, and super brief and shining moments of actually-composed music. Variously intolerable, fading, mysterious, kinda funny. A definite dreamtime super sound = Take a nap with this one on and you can do a project at the camp in your dreams. Someone (Mickey) put a 20 minute edit of this out (on PRICE TAPES) so someone can make Allen a discogs page and so I can review this for Vice.

TURNING THE HOG LOOSE = Two surveillance cameras, a weird room, a television, a VCR, an A/B switch for the cameras. Realtime video of “arguing about nothing” cutting between the kids. Non-sequential, non-narrative, non-specific, non-directional arguing. Arguments on tape include “I was here first,” “I need my space,” and “Stop it.” When they’re good they’re at least twice as good as anything from YOU CAN’T DO THAT ON TELEVISION and of a similar fidelity. The project title is re: what Herzog told Nicholas Cage to do in Bad Lieutenant. The idea is for the kids to do this too as they argue with each other on tape about nothing.

GURU MOVIE = Fourth iteration of Allen’s “kids covered in burlap and slime” movie-making technique. This year it’s multiple takes of the same scene = A searcher climbs a mountain, and asks a guru a question. The guru has a huge beard and there’s a smoke machine going. The video’s not the greatest (the kids wrote/directed/lit/etc. the scenes and directed them, so the quality’s super variable from scene to scene) but the stills from it rule, ahahaha, and at least two of the scenes are pretty funny. The beard is made from a huge bag of alpaca wool scraps Allen got a local llama farmer to leave out for him to pick up on his day off.

This new dude Bryan (who was the TA for Allen’s color theory class at Alfred last semester) is re-recording the entirety of VU+NICO with the kids, all songs one take, not playing the actual songs for the kids. Can’t wait to hear that.

(Jeff is doing amazing shit here every day too. So pointless to even try to go down a list there. “You had to be here.”) We’re a little less than halfway done with our summer.

I’m making this camp magazine in the “piles of paper” format; that’s coming out next week. Gonna probably fall pretty square in the middle of “What the hell is this” and “Check this out.”

4) HERE’S THIS

Outlined water spill

This font also seen on a recent Gross Domestic Product release

Across the street from Wild Willey’s Burgers, Rochester NH

16-page “classic mini” zine I busted last week to promote this idea of what’s possible with a “camp magazine” (submissions due tomorrow)

On my day off

At the bulletin board

Right now it says “Eatin is perception”

Balloon launch

Rudeboy over the village, 7/15/11, 10pm

July 5, 2011
Has anyone seen my water bottle diary 7/5/11

Part of the bunk sign for the cabin “embracio” (other cabins are “ecstatic rabbits” “guild of respectable jesters” “bob” “we live here” “the buttery chalet” “zen den gentlemen” “mrs. juliana’s reformatory for well-bred women (under new management)” “the glorious revolution”)

1) HEY EVERYONE

This is the weekly email from my house, email me to subscribe or unsubscribe, foirwardaipoks;ldf to your friends, do not repost —

It’s Day 17 of being at camp right now. I’m in a pretty good daily routine at this point. 6:30ish get up, shower, meeting, do the day, back in bed 11ish. I nap for an hour on top of a folding table inside of a mosquito tent for about 45 minutes every day around 1pm. I’ve been enjoying the little reach-outs people have been sending from Providence a lot; am super looking forward to JULYOWEEN MOTHERS NEWS.

Reading Laxness INDEPENDENT PEOPLE v. slowly but enjoying it a lot. Been drawing at a better-than-regular rate, probably re: the amount of times per day where I’m sitting down for 20-40 minutes and watching or talking to a kid and just free to do this but nothing else, and also the amount of times per day where I am cooking for myself, which is zero, whereas at home this is all I ever feel like I am doing, cooking myself meal after meal. The flip side of this is that I haven’t accomplished anything substantial since I’ve been here (other than the execution of my job at camp), but that’s fine.

Started working on my dirt palace window late last week = Feeling good thinking about home. Mickey if you read through this paragraph can you have whoever is checking dirtpal@yah reply to my June 30th email?

I built a desk on my one day off and then carved my name into it. I wrote reviews for vice. I drove to Dover with Allen to rent the last unicorn, be kind rewind, laputa castle in the sky and the great escape for camp movie night.

Kids have done/said a ton of crazy things but I think I’m going to try not to post a lot about on the Internet until after it’s all said and done? Good routines to ask about so far that I can think of right this second are “Old man cane land” “The backpack” “Back to the future” “My friend’s origami” “How many hamburgers are there nearby” and “Slave to choco.”

2) ZOLA’S #2 ANNOUNCEMENT

ZOLA’S #2 “daily schedule for mystery edge” is out tomorrow. Paypal me $3 and I’ll mail it to you. Paypal me $30 and I’ll mail you #2 and #1 right now, and #s 3-12 as they come up. Info/ordering is here = http://dogchirp.com/index.php?/print/zolas/

Also Jandek FAN FOLIO coming probably in a week or two.

3) HERE’S THIS

My favorite part of camp

Antivibe

Panda friends

535 club

Camp drawing club poster

KW and cornholio

KW for girls, Allen for boys

Allen at Blockbuster Video, July 2011

A tree trunk and a t-shirt

Allen in his office

Jandek fan folio preview

4th of july at camp

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Filed under: camp people projects photos zola's 
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